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1.
(instrumental) I SADLY YES I II DON'T FEEL SO GOOD II III SPOT A BUTTERFLY IN THE STALL III
2.
Ashley 20:30
I SHE'S THE ONE I (she's the one you waited for) when i wake up see her face then... pull my clothes on tend my bruises II AMERICA II it's over for you and me in America we tried and failed every time but we don't need their America (wedding bells) tore up our nerves with a gas and broke all our bones and our teeth we tried the best we could to be strong but baby, what if they're wrong? what if they're wrong? (ashley) III HOLD ON TO ME III hold on to me darling, we're free all of our fears can't hurt us here hold on to me i can be bleak i'm evil and unfair you still hold my hair hold on to me, i fucked the whole thing all that i do is hurt you hold on to me hold on to me hold on baby don't leave me in here all alone (ashley) IV ANSWER THE PHONE IV you answer the phone can you answer me idiot this arguing in our bones can we quit it? you grow up and sing can you please just get better at it? make your poems hurt less make you worthy (get better at it) you hold on to me we ascend then think better of it we swing into nearest grocery burn it down for insurance money (when he comes home he weeps) we're both on our own i can't find the rhetoric To build this castle for two with you (must get better at it) (when he comes home he weeps) V 02/20/16 V all the amber lights have gone seldom feel like this at all all i know is i want you all the kingdom torches they're lit all the kings in laughing fits all the tender touch by the aging dust all the skin no one has touched all the things no one has said all the things I never knew I needed oh i need you i need you baby VI HOLD ON TO ME (REPRISE) VI
3.
(instrumental)
4.
Uneasy 01:33
(instrumental) I FREAKING OUT A LITTLE I II FUCK IT LET'S PLAY II
5.
if it's done then i'm okay never meant it anyway but things are bad and things won't be okay cause i'm empty bored and alone so long so long foregone can she please let me decide? if i'm here, if live or die? i'm worried sick and i'm losing all my skin still she eats me hated and alone so long so long foregone foregone out of this madness i'm born
6.
Lies 05:37
though i know she lies though i know she is bad impossible scared of being alone again though i know she lies still just watch her cross the line she is worth it worth my worthless soul i'm older older and i'm over see you in the blue see him talking to you see her careless trace of jealous rage i'm older older and i'm over all of what we did all we said is worthless shit you've killed me stopped me in my tracks i'm older older and i'm over trust was never there i want things to be fair they aren't i'm losing what 'they' left i'm older older and i'm over
7.
Blood 05:12
if she remains what's there to say? guess i can't complain since i skipped the wedding day only shaking in my bed if my blood if it could it wouldn't warn me of the romantic memory. (if my blood) if i could i'll just piss them all away. love don't hurt people learn brush the bins and trash away and let me sing (heavenly dream) only whisking in the wind if my blood if it understood i'm not intelligent enough to fly away (start in space) holy trinity will win if my blood it ever understood (i'd be joining arms with ceremony phonies and paranoid crooks) if my blood it ever understood if my blood it understood if my blood it understood (don't worry) if my blood if it could will it strangle me before i get a chance to do myself in advance?

about

(carefully sequenced and mastered to be listened to in one sitting with quality headphones)

A really sad album. A joyous twenty-minute epic followed by some other really miserable music made by a desperate little man. Basically it sounds more like a pseudo-breakup album the deeper into it you get.

It sounds nice sometimes though, takes me back to... somewhere. It's a grasp at my youth. That's why I called it "Kodak" Plus, several songs are reworked really old tunes from when I was still a kid with no idea how music worked and everything was a happy accident.

That's what "Kodak" is a nutshell. The artwork looks low effort but it captures the texture of what I was going for as far as this album's sound palette goes. I hope you enjoy.

credits

released August 1, 2017

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about

NOTHING CAN KILL ME Rocky Mount, North Carolina

Rural, ancient, digital, spacey music with bleak, somber, painful, anxious poetry. Adjectives aren't really my thing to be honest.

I make music because it's therapeutic.

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